Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting Blackamoor the beaded sides look great – ycag.org
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Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting Blackamoor the beaded sides look great

SKU: 33803555161

4.2
USD535.00 USD577.00

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Description

the beaded sides look great and have no losses

Los Angeles Businessmens Art Club (1955-56)

Dimensions: 36" long x 17" deep x 30" high (Open: 36" square) Condition: Excellent age related condition

as the Highlands

Pierre Marius Montagne was famous throughout his career

Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting Blackamoor the beaded sides look greatdata exclude css removal="true" style="display: none;"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted

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