Cami de primavera III Takashi Murakami embodies Murakami’s sustained critique of

embodies Murakami’s sustained critique of consumer society and globalisation

animated silhouette as a protective charm

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Repeated again and again

During the 1970s and 1980s

Cami de primavera III Takashi Murakami embodies Murakami’s sustained critique ofEtching and aquatint on Gvarro paper, hand signed by the artist and numbered edition of 75. Albert Rfols Casamada's work is characterized by the scarcity of elements framed on a large background. Each form has an accurate balance in the composition, highlighted with a slight colour use.