Framing Portraits, Binding Albums: Family Photographs in India pandemic I don’t find superficial emotions

I don’t find superficial emotions emanating through his lens from either the subjects or from the photographer

Bharat Sikka’s ‘The Sapper’ is as multi-layered as the relationship that it narrates between a father and an adult son

The deep colours of the flower remain the most desirable part of the plant

Naeem Mohaiemen returns to the photographs his father took in the 1950s

and the role of publishing as a space for reflection

Framing Portraits, Binding Albums: Family Photographs in India pandemic I don’t find superficial emotionsShilpi Goswami, Suryanandini Narain, (eds.) Long neglected in academic discourse in India, family photographs make a silent contribution to the histories of photography, marginality and the family. In this volume, the writers dwell on the importance of family photographs and their visual omnipresence in our daily lives. They point out how family photographs have belonged to the vernacular material of visual culture, more seen and lived with, less