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by having it mastered by Miles Showell at Abbey Road Studio
Pressed on HULKAMANIAC TRANSLUCENT RED VINYL
Initially recorded by the band as an offering for their fans to devour while they were between full-length albums
Then the record freefalls into disorienting drum workouts
A total must-have that just begs for a prominent place in your record collection
Beth Anderson – I Can't Stand It LP post-punk by having it mastered byCarving an unlikely and elaborate niche in the stoney academic landscape which she once shared with the likes of Phill Niblock, John Cage, and Sorel Hayes, the excitable proto punk pomes sonores of the linguistic loose cannon known as Beth Anderson first rolled through New York in the mid 1970s (from Kentucky via San Francisco) like a jumbled tumbleweed of lost Letterism, face paint and threadbare drummy funk to astonish gallery floors, lecture
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